These titles were recently added to the collection of the Public Library of Cincinnati and Hamilton County.
May 19, 2016
Philadelphia : Temple University Press, 2016.
viii, 281 pages : illustrations (some color) ; 23 cm
May 17, 2016
Shaheed, Margie, author.
New England, USA : Hidden Charm Press, 
65 pages ; 22 cm
"In this collection, the neighborhood bar is an adult playground. The metaphor is extended by a motif which includes children's rhymes, references to toys and games, and allusions to children's stories and characters. Some poems contain dialogue; thus, Black vernacular is maintained where necessary. The language is gritty in spots, and sometimes profane, but always life-affirming."--Page  of cover.
May 11, 2016
Woodbine, Onaje X. O.
New York : Columbia University Press, 
xviii, 204 pages : illustrations ; 23 cm
May 5, 2016
Campbell, Tina, author.
Woodland Hills, CA : Gee Tree Creative, 
xviii, 97 pages ; 22 cm
The Grammy-winning gospel singer, wife, and mother offers her insights on prayer and the faith that has helped her through life's most overwhelming challenges.
May 5, 2016
Guyatt, Nicholas, 1973- author.
New York : Basic Books, a member of the Perseus Books Group, 
xii, 403 pages : illustrations, maps ; 25 cm
The prehistory of "separate but equal" -- Degradation. Becoming good citizens ; A few bad men ; Correcting ill habits ; One nation only -- Amalgamation. To the middle ground ; We shall all be Americans ; The practical amalgamator -- Colonization. Of color and country ; The choice ; Opening the road ; In these deserts -- An enterprise for the young.
"Why did the Founding Fathers fail to include blacks and Indians in their cherished proposition that "all men are created equal"? Racism is the usual answer. Yet Nicholas Guyatt argues in Bind Us Apart that white liberals from the founding to the Civil War were not confident racists, but tortured reformers conscious of the damage that racism would do to the nation. Many tried to build a multiracial America in the early nineteenth century, but ultimately adopted the belief that non-whites should create their own republics elsewhere: in an Indian state in the West, or a colony for free blacks in Liberia. Herein lie the origins of "separate but equal." Essential reading for anyone hoping to understand today's racial tensions, Bind Us Apart reveals why racial justice in the United States continues to be an elusive goal: despite our best efforts, we have never been able to imagine a fully inclusive, multiracial society."-- Provided by publisher.
May 2, 2016
Ipswich, Massachusetts : Salem Press, a division of EBSCO Information Services, Inc. ; Amenia, NY : Grey House Publishing, 
x, 260 pages ; 24 cm.
About this volume / Maureen N. Eke -- Mapping Toni Morrison's Beloved : of love, history, trauma, and healing / Maureen N. Eke -- Biography of Toni Morrison / Maureen N. Eke -- Margaret Garner, rememory, and the infinite past : history in Beloved / Kristine Yohe -- Toni Morrison's paradoxical novel : thirty years of critical reception / Touria Khannous -- Black feminist literary criticism and feminist archetypal theory : exploring connections in Beloved / Anne Herbert -- "Not if you are scared they ain't" : escaping the white masculine in Beloved / Herman Beavers -- Slavery in Toni Morrison's Beloved / Joseph McLaren -- A gathering of trees : an examination of memory, trauma, and embodiment in Toni Morrison's Beloved / Kokahvah Zauditu-Selassie -- "You may as well just come on" : African American healing ways in Toni Morrison's Beloved / Sarah L. Berry -- "Unspeakable things unspoken" : prophetic utterances in Toni Morrison's Beloved / Khalilah T. Watson -- The psychological impact of slavery and separation in Beloved / Lynne Simpson -- Adoption and persuasion : raising and reckoning with Beloved / Sandy Alexandre -- Supernatural elements in Toni Morrison's Beloved / Blessing Diala-Ogamba -- Exploring the LIST paradigm : reading and teaching Beloved / Durthy A. Washington -- Literary analysis of Toni Morrison's Beloved : an introduction for students / Nicole M. Coonradt -- Chronology of Toni Morrison's life -- Works by Toni Morrison -- Bibliography -- About the editor -- Contributor -- Index.
April 14, 2016
Lee, Jooyoung, 1980- author.
Chicago ; London : The University of Chicago Press, 2016.
xiii, 276 pages : illustrations ; 23 cm
Preface: Down Crenshaw Boulevard -- Introduction: rap dreams and existential urgency -- Becoming rappers -- Growing up in gangland -- Masters of ceremony -- Freestyle -- Battle -- Trying to blow up -- Cautionary tales -- Almost famous -- Ditching the day job -- Gang violence and dreams derailed -- Conclusion: nurturing the creative lives of young black men -- Shout outs -- Methods appendix: videos in ethnography.
April 8, 2016
Cahan, Susan, author.
xvi, 344 pages : illustrations (some color), portraits ; 26 cm.
Electronic refractions II at the Studio Museum in Harlem -- Harlem on my mind at the Metropolitan Museum of Art -- Contemporary Black artists in America at the Whitney Museum of American Art -- Romare Bearden : the prevalence of ritual and the sculpture of Richard Hunt at the Museum of Modern Art.
"Prior to 1967 fewer than a dozen museum exhibitions had featured the work of African American artists. And by the time the civil rights movement reached the American art museum, it had already crested: the first public demonstrations to integrate museums occurred in late 1968, twenty years after the desegregation of the military and fourteen years after the Brown vs. Board of Education decision. In Mounting Frustration Susan E. Cahan investigates the strategies African American artists and museum professionals employed as they wrangled over access to and the direction of New York City's elite museums. Drawing on numerous interviews with artists and analyses of internal museum documents, Cahan gives a detailed and at times surprising picture of the institutional and social forces that both drove and inhibited racial justice in New York's museums. Cahan focuses on high-profile and wildly contested exhibitions that attempted to integrate African American culture and art into museums, each of which ignited debate, dissension, and protest. The Metropolitan Museum's 1969 exhibition Harlem on My Mind was supposed to represent the neighborhood, but it failed to include the work of the black artists living and working there. While the Whitney's 1971 exhibition Contemporary Black Artists in America featured black artists, it was heavily criticized for being haphazard and not representative. The Whitney show revealed the consequences of museums' failure to hire African American curators, or even white curators who possessed knowledge of black art. Cahan also recounts the long history of the Museum of Modern Art's institutional ambivalence toward contemporary artists of color, which reached its zenith in its 1984 exhibition "Primitivism" in Twentieth Century Art. Representing modern art as a white European and American creation that was influenced by the "primitive" art of people of color, the show only served to further devalue and cordon off African American art. In addressing the racial politics of New York's art world, Cahan shows how aesthetic ideas reflected the underlying structural racism and inequalities that African American artists faced. These inequalities are still felt in America's museums, as many fundamental racial hierarchies remain intact: art by people of color is still often shown in marginal spaces; one-person exhibitions are the preferred method of showing the work of minority artists, as they provide curators a way to avoid engaging with the problems of complicated, interlocking histories; and whiteness is still often viewed as the norm. The ongoing process of integrating museums, Cahan demonstrates, is far broader than overcoming past exclusions." -- Publisher's description
April 1, 2016
Moore, Natalie Y., author.
xii, 250 pages, 8 unnumbered pages of plates : illustrations, map ; 25 cm
A legacy threatened -- Jim Crow in Chicago -- A dream deferred -- Notes from a Black gentrifer -- Separate and still unequal -- Kale Is the new collard -- We are not Chiraq -- Searching for Harold -- Sweet home Chicago.
"Mayors Richard M. Daley and Rahm Emanuel have touted and promoted Chicago as a "world class city." The skyscrapers kissing the clouds, the billion-dollar Millennium Park, Michelin-rated restaurants, pristine lake views, fabulous shopping, vibrant theater scene, downtown flower beds and stellar architecture tell one story. Yet, swept under the rug is the stench of segregation that compromises Chicago. The Manhattan Institute dubs Chicago as one of the most segregated big cities in the country. Though other cities - including Cleveland, Los Angeles, and Baltimore - can fight over that mantle, it's clear that segregation defines Chicago. And unlike many other major U.S. cities, no one race dominates. Chicago is divided equally into black, white, and Latino, each group clustered in their various turfs. In this intelligent and highly important narrative, Chicago-native Natalie Moore shines a light on contemporary segregation on the South Side of Chicago through reported essays, showing the life of these communities through the stories of people who live in them. The South Side shows the important impact of Chicago's historic segregation - and the ongoing policies that keep it that way"-- Provided by publisher.
March 25, 2016
Morris, Monique W., 1972- author.
New York : The New Press, 
277 pages ; 22 cm
"Fifteen-year-old Diamond stopped going to school the day she was expelled for lashing out at peers who constantly harassed and teased her for something everyone on the staff had missed: she was being trafficked for sex. After months on the run, she was arrested and sent to a detention center for violating a court order to attend school. Black girls represent 16 percent of female students but almost half of all girls with a school-related arrest. The first trade book to tell these untold stories, Pushout exposes a world of confined potential and supports the growing movement to address the policies, practices, and cultural illiteracy that push countless students out of school and into unhealthy, unstable, and often unsafe futures. For four years Monique W. Morris, author of Black Stats, chronicled the experiences of black girls across the country whose intricate lives are misunderstood, highly judged-by teachers, administrators, and the justice system-and degraded by the very institutions charged with helping them flourish. Morris shows how, despite obstacles, stigmas, stereotypes, and despair, black girls still find ways to breathe remarkable dignity into their lives in classrooms, juvenile facilities, and beyond. "-- Provided by publisher.
March 24, 2016
Westminster, Md. : Heritage Books, 2007-<2014>
v. ; 22 cm.
Transcribed and extracted from the "Birth index of slaves, 1853-1865," a project undertaken by the Works Project Administration (WPA), currently available on microfilm at the Local History/Special Collections, Alexandria Library (#00079).
v. 1. A-C -- v. 2. D-G -- v. 3. H-L -- v. 4. M-R -- v. 5. S-Z -- v. 6. Geographic supplement.
March 24, 2016
Pitch, Anthony, author.
New York, NY : Skyhorse Publishing, 
xxii, 214 pages, 8 unnumbered pages of plates : illustrations ; 24 cm
March 24, 2016
Branson, Douglas M., author.
Lincoln : University of Nebraska Press, 
xiii, 299 pages, 14 unnumbered pages of plates : illustrations ; 24 cm
March 18, 2016
Johnson, Nicholas, 1959-
Amherst, New York : Prometheus Books, 
379 pages : illustrations, map ; 23 cm
Boundary-land -- Foundation -- Promise and breach -- Nadir -- Crisis -- Leonidas -- Freedom fight -- Pivot -- The Black tradition of arms and the modern orthodoxy.
"Chronicling the underappreciated Black tradition of bearing arms for self-defense, law professor Nicholas Johnson presents an array of examples reaching back to the pre-Civil War era that demonstrate a willingness of African American men and women to use firearms when necessary to defend their families and communities. From Frederick Douglass's advice to keep "a good revolver" handy as defense against slave catchers to the armed Black men who protected Thurgood Marshall, it is clear that owning firearms was commonplace in the Black community. Johnson points out that this story has been submerged because it is hard to reconcile with the dominant narrative of nonviolence during the civil rights era. His book, however, resolves that tension by showing how the Black tradition of arms maintained and demanded a critical distinction between private self-defense and political violence. In the last two chapters, Johnson addresses the unavoidable issue of young Black men with guns and the toll that gun violence takes on many in the inner city. He shows how complicated this issue is by highlighting the surprising diversity of views on gun ownership in the black community. In fact, recent Supreme Court affirmations of the right to bear arms resulted from cases led by Black plaintiffs. Surprising and informative, this well-researched book strips away many stock assumptions of conventional wisdom on the issue of guns and the Black freedom struggle"-- Provided by publisher.
March 16, 2016
Sinha, Manisha. author.
xiv, 768 pages, 24 unnumbered pages of plates : illustrations, portraits ; 24 cm
Part I. The first wave. Prophets without honor ; Revolutionary antislavery in Black and White ; The long northern emancipation ; The Anglo-American abolition movement ; Black abolitionists in the slaveholding republic ; The neglected period of antislavery -- Part II. The second wave. Interracial immediatism ; Abolition emergent ; The woman question ; The Black man's burden ; The abolitionist international ; Slave resistance ; Fugitive slave abolitionism ; The politics of abolition ; Revolutionary abolitionism ; Abolition war -- Epilogue: The abolitionist origins of American democracy.
"Received historical wisdom casts abolitionists as bourgeois, mostly white reformers burdened by racial paternalism and economic conservatism. Manisha Sinha overturns this image, broadening her scope beyond the antebellum period usually associated with abolitionism and recasting it as a radical social movement in which men and women, black and white, free and enslaved found common ground in causes ranging from feminism and utopian socialism to anti-imperialism and efforts to defend the rights of labor. Drawing on extensive archival research, including newly discovered letters and pamphlets, Sinha documents the influence of the Haitian Revolution and the centrality of slave resistance in shaping the ideology and tactics of abolition. This book is a comprehensive new history of the abolition movement in a transnational context. It illustrates how the abolitionist vision ultimately linked the slave's cause to the struggle to redefine American democracy and human rights across the globe." -- Publisher's description
March 16, 2016
Raymond, Emilie, 1973-
Seattle : University of Washington Press, 
xviii, 312 pages, 14 unnumbered pages of plates : illustrations ; 24 cm.
"A V Ethel Willis White Book."
"A Capell Family Book."
Cleaning up Catfish Row: Black celebrity and the making of Porgy and Bess -- Sammy Davis, Jr.: daring, deferential, and "money" -- Harry Belafonte and the northern liberal network -- The arts group and the March on Washington -- Dick Gregory and celebrity grassroots activism -- Stars for Selma -- Celebrities and Black power.
From Oprah Winfrey to Angelina Jolie, George Clooney to Leonardo DiCaprio, Americans have come to expect that Hollywood celebrities will be outspoken advocates for social and political causes. However, that wasn't always the case. As Emilie Raymond shows, during the civil rights movement the Stars for Freedom--a handful of celebrities both black and white--risked their careers by crusading for racial equality, and forged the role of celebrity in American political culture. Focusing on the "Leading Six" trailblazers--Harry Belafonte, Ossie Davis, Ruby Dee, Sammy Davis, Jr., Dick Gregory, and Sidney Poitier--Raymond reveals how they not only advanced the civil rights movement in front of the cameras, but also worked tirelessly behind the scenes, raising money for Martin Luther King, Jr.'s legal defense, leading membership drives for the NAACP, and personally engaging with workaday activists to boost morale. Through meticulous research, engaging writing, and new interviews with key players, Raymond traces the careers of the Leading Six against the backdrop of the movement. Perhaps most revealing is the new light she sheds on Sammy Davis, Jr., exploring how his controversial public image allowed him to raise more money for the movement than any other celebrity. The result is an entertaining and informative book that will appeal to film buffs and civil rights historians alike, as well as to anyone interested in the rise of celebrity power in American society.
March 15, 2016
Moorer, C., Jr. (Cleamon), author.
x, 159 pages : illustrations ; 23 cm
March 10, 2016
Scanlon, Jennifer, 1958- author.
321 pages, 16 unnumbered pages of plates : illustrations ; 25 cm
Prologue: a purposeful life -- A midwestern childhood -- Education: the first measure of independence -- Teaching in the segregated south -- Heading north to spread the word: the YWCA years -- Harlem and Brooklyn in the great depression -- World War II: a time for racial justice -- Fighting for fair employment, fighting for Truman -- "New world citizen": developing a national portfolio, an international consciousness, and an FBI file -- Running for office -- "A burr in the saddle": Anna Arnold Hedgeman, white protestants, and the March on Washington -- The "double handicap of race and sex": African American women and the March on Washington -- The Commission on Religion and Race -- Moving the justice fight north -- Black power, woman power -- Refusing retirement: the Hedgeman Consultant Service -- Epilogue: fighting for heaven, right here on earth.
In Until There Is Justice, author Jennifer Scanlon presents the first-ever biography of Hedgeman. Through a commitment to faith-based activism, civil rights, and feminism, Hedgeman participated in and led some of the 20th century's most important developments, including advances in education, public health, politics, and workplace justice. Simultaneously a dignified woman and scrappy freedom fighter, Hedgeman's life upends conventional understandings of many aspects of the civil rights and feminist movements. She worked as a teacher, lobbyist, politician, social worker, and activist, often crafting and implementing policy behind the scenes. Although she repeatedly found herself a woman among men, a black American among whites, and a secular Christian among clergy, she maintained her conflicting identities and worked alongside others to forge a common humanity.
February 22, 2016
Ali, Zaza, author
214 pages ; 23 cm
February 18, 2016
Barber, William J., II, 1963- author.
Boston, MA : Beacon Press, 
xvi, 151 pages : illustrations ; 24 cm
Prologue: Go home -- Son of a preacher man -- My first fight -- Learning to stand together -- From banquets to battle -- Resistance is your confirmation -- Many a conflict, many a doubt -- The darkness before the dawn -- A moral movement for the nation -- America's third reconstruction.
"In the summer of 2013, Moral Mondays gained national attention as tens of thousands of citizens protested the extreme makeover of North Carolina's state government and over a thousand people were arrested in the largest mass civil disobedience movement since the lunch counter sit-ins of 1960. Every Monday for 13 weeks, Rev. Dr. William J. Barber led a revival meeting on the state house lawn that brought together educators and the unemployed, civil rights and labor activists, young and old, documented and undocumented, gay and straight, black, white and brown. News reporters asked what had happened in state politics to elicit such a spontaneous outcry. But most coverage missed the seven years of coalition building and organizing work that led up to Moral Mondays and held forth a vision for America that would sustain the movement far beyond a mass mobilization in one state. A New Reconstruction is Rev. Barber's memoir of the Forward Together Moral Movement, which began seven years before Moral Mondays and extends far beyond the mass mobilizations of 2013. Drawing on decades of experience in the Southern freedom struggle, Rev. Barber explains how Moral Mondays were not simply a reaction to corporately sponsored extremism that aims to re-make America through state legislatures. Moral Mondays were, instead, a tactical escalation in the Forward Together Moral Movement to draw attention to the anti-democratic forces bent on serving special interests to the detriment of the common good"-- Provided by publisher.
February 17, 2016
Sneddon, Robert, 1959-
Lanham, Maryland : Rowman & Littlefield Publishing Group, 
vii, 231 pages ; 24 cm
February 15, 2016
Johnson, Kathryn, 1929- author.
New York : RosettaBooks, 2016.
xv, 261 pages : illustrations ; 21 cm
"AP" -- Title page.
"Let Kathryn in," said Coretta Scott King to authorities. Three simple words that provided Kathryn Johnson, a reporter for The Associated Press's Atlanta bureau, unprecedented access to the grieving widow in the days following her husband's death. Johnson was on her way to a movie date when word came from Memphis that Martin Luther King Jr. had been assassinated. She immediately headed for the King home where, despite resistance from authorities on the scene, she was the only reporter allowed inside. Johnson's many years covering King and his family had earned her the trust to be a discreet, observant witness to the aftermath of a defining moment in American history. Kathryn Johnson covered the Civil Rights movement across the South in the 1960s, often risking her own safety to observe first-hand the events of this great era. Her stories took her from witnessing the integration of the University of Georgia by dressing as a student, to hiding unobserved under a table near an infamous schoolhouse door in Alabama, to marching with the massive crowd from Selma to Montgomery. Johnson, one of the only female reporters on the scene, threw herself into charged situations with a determination to break the news no matter what. Including never-before-published photos, her personal account of this period is a singular addition to the story of the Civil Rights movement.-- Amazon.com.
February 9, 2016
Dyson, Michael Eric, author.
Boston : Houghton Mifflin Harcourt, 2016.
xvi, 346 pages ; 24 cm
The burden of representation -- How to be a Black president : "I can't sound like Martin" -- "Invisible man got the whole world watching" : race, bi-race, post-race in the Obama presidency -- Black presidency, Black rhetoric : Pharaoh and Moses speak -- Re-founding father : patriotism, citizenship, and Obama's America -- The scold of Black folk : the bully pulpit and Black responsibility -- Dying to speak of race : policing Black America -- Going Bulworth : Black truth and white terror in the age of Obama -- Amazing grace : Obama's African American theology -- President Obama's speeches and statements on race.
Michael Eric Dyson delivers a provocative exploration of the politics of race and the Obama presidency. Barack Obama's presidency unfolded against the national traumas of Trayvon Martin, Michael Brown, Freddie Gray, and Walter Scott. The nation's first African American president was careful to give few major race speeches, yet he faced criticism from all sides, including from African Americans. How has Obama's race affected his presidency and the nation's identity? Dyson explores whether Obama's use of his own biracialism as a symbol has been driven by the president's desire to avoid a painful moral reckoning on race. And he sheds light on identity issues within the black power structure, telling how Obama has spurned traditional black power brokers, significantly reducing their leverage. Perhaps most movingly, Dyson illuminates the transformative moments, especially in his second term, when Obama has publicly embraced his blackness and used it as a powerful lens onto America, black and white. President Obama's own voice--from an Oval Office interview granted to Dyson for the book--along with that of Eric Holder, Al Sharpton, and Andrew Young, among others, adds depth to this tour of the nation's first black presidency.--Adapted from book jacket.
February 9, 2016
Ross, Lawrence C., author.
xii, 266 pages, 8 unnumbered pages of plates : illustrations ; 24 cm
A century of isolated incidents -- Jim Crow Greek row -- The Machine -- Not bitter, no apologies -- The Great American Half-Baked Sale -- The joke's on you, Black -- Honoring the dishonorable -- We're mad as hell ... and we're taking over the building.
"'College' is a word that means many things to many people: a space for knowledge, a place to gain lifelong friends, and an opportunity to transcend one's socioeconomic station. Today, though, this word also recalls a slew of headlines that have revealed a dark and persistent world of racial politics on campus. Does this association disturb our idealized visions of what happens behind the ivied walls of higher learning? It should - because campus racism on college campuses is as American as college football on Fall Saturdays. From Lawrence Ross, author of The Divine Nine and the leading expert on sororities and fraternities, Blackballed is an explosive and controversial book that rips the veil off America's hidden secret: America's colleges have fostered a racist environment that makes them a hostile space for African American students. Blackballed exposes the white fraternity and sorority system, with traditions of racist parties, songs, and assaults on black students; and the universities themselves, who name campus buildings after racist men and women. It also takes a deep dive into anti-affirmative action policies, and how they effectively segregate predominately white universities, providing ample room for white privilege. A bold mix of history and the current climate, Blackballed is a call to action for universities to make radical changes to their policies and standards to foster a better legacy for all students"-- Provided by publisher.
February 9, 2016
Reid, Antonio, 1957- author.
390 pages, 8 unnumbered pages of plates : illustrations (some color) ; 24 cm
Over the last three decades, one music producer and record man has transformed the business, discovering and producing some of the greatest acts in pop music history, including Toni Braxton, Kanye West, Rihanna, TLC, Outkast, Mariah Carey, Pink, Justin Bieber, and Usher. At the helm of four celebrated and innovative music labels--LaFace, Arista, Island Def Jam, and Epic--LA Reid set his sights on finding one star after the next, and then worked behind the soundboard to create some of the most unforgettable hits of the last two generations. Now, for the first time, he tells his story, taking fans behind the scenes of his rise to record business stardom. He chronicles the journey from his small-town R&B roots in Cincinnati, Ohio, to his fame as a Grammy Award-winning producer to his gig as a judge on the hit reality show The X Factor. With fascinating insight into his process of scouting new talent, Reid also offers a detailed look at his involvement with the artists he's mentored into legends--from the beginning of their rises to that critical moment when he knew they would be the next big thing. What emerges is a captivating portrait of the inner workings of the pop music machine, and the story of a man climbing to the top on passion and raw talent alone, a multifaceted genius who continues to shape our culture to this day.--Adapted from dust jacket.